what we don’t know is vast enough
to fill up all of space;
the things we know could fit inside
a shambles, like — this place
but still we stagger bravely on
to conquer all, we go —
for it would seem we’re unaware
of all
that we don’t
know
what we don’t know is vast enough
to fill up all of space;
the things we know could fit inside
a shambles, like — this place
but still we stagger bravely on
to conquer all, we go —
for it would seem we’re unaware
of all
that we don’t
know
so come, survey the works of man,
the glories of the earth —
and give praise for the vanity
to which he’s given birth
for all the light may touch can now
gaze fondly on this place —
so come, survey the mighty works
of us,
the human
race
Photos for this and the previous seven poems in this series by Sean Pavone.
like this place, i am a relic: irrelevant in a world of shouting and shooting -- there are no armies led by poets, and no one ever has their minds changed anymore, we continue to turn up the volume, while ever tuning out opposing voices - or better yet, we caricature them as something other than we know they intend to be - after all, humor is the universal solvent, and our enemies are certainly fair game to whatever tools we may see fit to use, given the high stakes that are involved - at any rate: in storage we keep that which we hold to be so dear that we dare not use it publicly, or even privately - things we treasure to such a degree that we never touch them at all - like our ideals, which we keep safely in storage, so we can point to them in times of crisis and not actually use them or anything, for we might break them if we were to anything that rash
this was no shrine of mammon, this;
it was a place of honest toil,
according to the man who let me in —
i wander all around these grounds,
and try then to imagine
what all this looked like in its day and pomp
for “this perspective”, only, is
what we are gifted with;
whatever “this” may be for you or me —
and mine right now is of a place
that once was full of life,
but now lies fading – empty – unremarked.
i still believe in human life,
i still believe in love and hope,
i won’t be hollowed out of my belief
for everything and nothing, are
the same to one who’s shattered;
and distance is no barrier
to grief
They used to tell me I was building a dream
And so I followed the mob
When there was earth to plow or guns to bear
I was always there right on the job
They used to tell me I was building a dream
With peace and glory ahead
Why should I be standing in line
Just waiting for bread?
Once I built a railroad, I made it run
Made it race against time
Once I built a railroad, now it’s done
Brother, can you spare a dime?
Once I built a tower up to the sun
Brick and rivet and lime
Once I built a tower, now it’s done
Brother, can you spare a dime?
“Brother, Can You Spare A Dime” (1930) by E. Y. Harburg and Jay Gorney
A ladder was built to do a job,
So do a job it did:
When “reach above” was needed, well,
It never ran or hid
Until one day the need was gone,
The latter left to rot –
Although as full of usefulness
As when it first was bought
As with the ladder, so with men
And women that were here —
Their usefulness abandoned by
Their erstwhile puppeteer –
Once we were taught, as little kids —
The words still true, and sound —
“Love people and use things, and not
The other
Way
Around.”
Why do you stay in this abandoned place when the door is staring right at you? Why do you stand in emptiness, saying, “Come in, come in, there’s plenty of room,” instead of using what’s left of your freedom?
all that power, and
no one left
to lord it over
the factory ceases operations, and
the building is abandoned —
the sun still finds its way in
as do i
in bright enough sunshine,
even old wood
seems new
once, while still alive,
this place wore clothes
that spoke of business and
affluence
and many passed through its doors
as a means to buy groceries
and clothes for their children
the sun still finds its way in
even among the retired,
the abandoned, the
less-than-chic
in bright enough sunshine
even old wood
seems new
as can we