musical afterlife

music has an afterlife, 
creation, a hereafter; 
like echoes of a conversation -- 
anger, tears, or laughter --

i hear your music now, and think 
how strange is time and fortune 
to know you, and this place, are gone, 
but hear you sans

distortion

(In memory of Roy Harris…)

Prokofiev

At 180 months, nobody
Understood me like Prokofiev,
The solitary walker in the white
Of he Russia and me Florida

Who knew my intervailing times
Of drama and lyric introspection
And who knew that underneath it all
Lies the universal state of life:

Dissonance

String Quartets

I’m writing this on New Year’s Eve
And listening to string quartets
By Shostakovich, and
They’re awesome.

For, while life is full of messes,
Stains, and blotches — these, instead,
Are absolutely
Perfect.

And it makes

A nice contrast

 


Photo credit : ID 53562673 Ukrphoto | Dreamstime.com

Classical Condundrum

As a teen,
classical music was
my greatest love,
my strongest passion —

But the business of it
was catty, and shallow, and
competitively spiteful:
all I cared about
was the music

So, I elected
to find another line of work,
choosing to continue to play music,
but not be in the grind of competitions
for scholarships, recital time, and so on

And, these days, if anything,
it has gotten worse.

The most beautiful, thoughtful
performances can be found on youtube,
where commenters savage the performers
with the type of criticism that makes you wonder
if almost anybody that listens to classical music
actually likes it

But then, i take a deep breath, and remember:
youtube comment-leavers do not represent all people,
they typically represent the worst type of people:
cowardly, petty, bitter, and unaccomplished, themselves

The wisest choice anyone can make
is to never read comments on youtube

So i listen to classical music,
and continue to explore and
learn to play various pieces:
exploring unknown repertoire,
and enjoying performances when i hear them
rather than criticizing them

I know the critical mindset:
it is simultaneously self-righteous about criticism
and unable to accept any aimed at them

But these are just shadows of joylessness,
and i can pass them by in silence

For the music is the thing,
And always was.

We will always have reactions to what we hear,
we just don’t need to spend so much time
convincing others to have the same one

Because that is monumentally

Foolish

My First and Longtime Love

always bringing joy,

and comfort –

and still here, always


(The below is a clip of me playing the last movement of a Haydn piano sonata, mistakes and all. – Owen)

The Ghost of Johannes Brahms

Brahms

I had an unfortunate visit today
Just as I had sat down to attempt to play
Some classical pieces I learned in my youth
A knock on the door came. And I said, “Forsooth!”

For it was a ghost of a peculiar stripe
The romantic germanic crotchety type
Who said that he’d heard (and I guess I will quote)
That I had just murdered a piece that he wrote

Just some Intermezzo. I thought it was fine.
When he looked at me with disgust, and said, “Nein!
Das ist nicht gut!” or some other such smack
To indicate I was a horrible hack

Which I guess is true. I can say without qualms
That I cannot blame the old ghost of J. Brahms
For coming down here and trying to save face
For playing his music sans notes and sans grace

Purcell

Purcell iTunes

For thirteen hours of music I will hear
I’m joyful beyond all my words to say;
Music by the great Henry Purcell
To be with me throughout a busy day

It consists of two albums off iTunes:
Chamber works and Theater works, complete —
Brilliantly played (and sung) in lavish style
And I have the whole playlist on repeat

To many this would not seem such a dream:
I know this, and I know it very well —
But to me, it’s as good as music gets
The florid rampant genius
That’s Purcell

Four Motets

My tastes have tended long to run
Towards the quite obscure:
In music and in painting and
In much of literature

It’s never really bothered me
Or, not enough to fuss:
That there are few I’ve ever found
To chat with or discuss

These things I love. For instance,
In his early college days
A. Copland wrote these four motets
In which there’s much to praise

Of sadnesss, yet of hope, and then
Of exultation, too:
I’m sure there’s some who would agree
If there were more
Who knew

 (The first of the Four Motets, “Help Us, O Lord”, sung by the Chestnut Street Singers)

Unsung Heroes

We all have our semi-secret, less-known personal favorites — a great B-side, an early work by an artist that later became famous, an obscure (but delicious) family recipe. Share one of your unsung heroes with us — how did you discover it? Why has it stayed off everyone’s radar?